Hanexi Pérez
Professor Cynthia Pittmann
ENGL 3103-138
May 22, 2018
Graphic Fiction Questions
Elements
of Fiction:
Does the graphic fiction feature a central character
or set of characters? How does this character or set of characters provide a
focal lens for the story?
·
The
graphic fiction it does feature a central character or set characters
converting them into the focal point of the story. All the panels presented in
the graphic fiction are based or directly related to the central character or
set of character, this is one of the literary elements that the fiction shares
with the graphic fiction.
Visual
Elements:
How do the visual elements of the graphic work together to create the story’s meaning? What are the most important graphic elements being used by the artist to convey the story?
How do the visual elements of the graphic work together to create the story’s meaning? What are the most important graphic elements being used by the artist to convey the story?
·
The
visual elements of the graphic operate simultaneously to produce the meaning of
the story giving to it a structure and organization that allows the reader to
comprehend and follow the sequence of the graphic fiction. They are so useful
to the understanding and convey key aspects of the story’s meaning. Each
graphic element has a worthy purpose but there are some elements that are
indispensable to the graphic fiction. The panels and the dialogue balloons are
the most important graphic elements because there are the ones which
illustrated the image and contains the dialogue between each character. Another
important element is the gutter, which divides the scenes and give a sequence
to the graphic fiction.
Narrative
and Graphic Jumps:
How does the graphic fiction rely on the reader’s ability to provide narrative information that is not presented by words or images on the page? Does the work contain few or many narrative and visual gaps?
How does the graphic fiction rely on the reader’s ability to provide narrative information that is not presented by words or images on the page? Does the work contain few or many narrative and visual gaps?
·
The
graphic fiction can trust on the reader’s ability to provide narrative
information that is not presented on the page because it has a sequence of
panels and scenes that gives to the reader the opportunity to infer the omitted
information. Like is presented on the book, if one panel illustrated an person
standing at the bottom of a mountain and the next panels shows that person
standing at the top of the mountain we can infer that the character climbed up
the mountain. The quantity of narrative and visual gaps that a graphic fiction
could have it depends of the time that the story requires. Because if is a
story that occurs in one hour it should have only a few gaps but if is a story
that occurs in one day could have many gaps.
Graphic
Style:
How would you describe the style of the graphic work? What seems to be the artist’s signature style?
How would you describe the style of the graphic work? What seems to be the artist’s signature style?
·
I
would describe the style of the graphic work by focusing myself on how
realistic and the complexity of the illustrations. The lines and the techniques
used in the graphic work also helps me to describe the style of the work. The artist’s signature style is often to be
the colors and the type of drawing of the artist, the intensity and the detailed
are distinguishable for each artist.
How does the style match the story being told? Is the
style a good match for the themes and concepts being conveyed by the
narrative?
·
The
style is directly related to the story being told, it is the one which gives to
the story his own design and shape. The style will infer with the
interpretation that the reader could have of the story. And it is obviously
associated with the themes and concepts being conveyed by the narrative since
the style will insinuate and suggest the concepts presented in the story. For
example, a dark and obscure style will make the reader interpret the story as a
gloomy or tenebrous one.
Work Cited
Elements of Graphic Fiction. Literature for
Composition: An Introduction to Literature. Ed. Sylvan Barnet, William Burto, and William
E. Cain. 10th ed. Boston: Pearson, 2014. 522-529

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